Trem D’La Trem




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230V 50Hz „Fender Tremulux Amp“!

20 Watt Class A 5E9 type circuit

2x 6V6

2x 12AX7 1x12AY7

1x 5U4G

1x Bright & 1x Normal w/high & low

Vol. Normal, Vol. Bright, Depth, Speed

8 Ohm Speaker Out + Footswitch Connector

Finger jointed solid pine - strong, durable

Tube-Driven Fender Style Tremolo footswitchable

1x15" Victoria OEM speaker made by Eminence

nitro cellulose lacquer on cotton Tweed (aged)!



2.290,- Euros in stock!

incl. German VAT w/1year ltd. guarantee + 1year ltd. warranty

The Trem d'la Trem is a classic mid '50's tweed design based on the venerable Fender 5E9-A Tremolux. It employs 2 cathode-biased 6V6's to produce a modest 14 watts of power. The footswitchable trem effect is achieved by modulating the bias of the phase inverter, yielding a smooth musical effect that is not effected by the volume of the amplifier. It features a bright and normal channel, master tone, speed and intensity. An Eminence Legend 15" speaker is standard, with other configurations available upon request. This amplifier, the 5E9-A type, is highly prized by collectors and tone aficionados for its rich, harmonically dense tones and is considered by many to be the definitive tweed tremolo amp. An important addition the Victoria Vintage line, the Trem d'la Trem allows guitarists the experience ofthe vintage 5E9-A without the perils involved with relying on a 50 year old piece of equipment. I think Fender stopped making them in '57, and I have no doubt why. The tremolo on this amp is wacky! It's very prominent and smooth, with a different bounce and attack than the later power tube modulated versions. I think it's more effective and musical, but it has its quirks. The design and the way the trem is incorporated into the circuit is a bit imperfect. For one, when the depth control is all the way up, the phase inverter says ENOUGH and the amp loses its mojo. Turn the control to 10, you're in pulse-tone heaven, but a nudge past to 12, and you're scratching your head. Now trust me, we came up with ways to alleviate this maddening problem, but each fix presented a sonic compromise to be dealt with, none of them (so far) acceptable. The second little thang about this circuit is that without the footswitch, it's impossible to fully turn off the trem effect. I don't know whether that could officially be considered a design flaw, as the footswitch is a part of the design, (and one is included) but I'm sure many an owner of an original 5E9-A has had to hit Mike Matthews up for a new footswitch. In the end, I felt that if we were going to present this amp in the Victoria line, it had to be done as intended, warts and all. After hearing one, I know you'll agree. (I know, the original had a 12 and we're using a 15—hey, the 15 sounds better to me! We'll build it with a 12 if you want!)